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Saturday,
January 28, 2017
10 a.m. Refreshments
10:30 a.m. Program
Museums
across the country collect textiles, costumes and carpets, acquired both
through donations and purchase.
The parameters for building and interpreting a collection, however, can vary
greatly depending upon the type of museum: historic house, history museum,
craft museum, or museum of fine art.
Working within the world of fine art museums for nearly four decades,
Alice Zrebiec focuses on presenting textiles as works of art with their own
multilayered attributes.
Although even the grandest of tapestries and carpets ultimately have a
utilitarian purpose, this deceptive familiarity intrinsic to textiles is a
bridge to discovering artistic excellence and creativity manifested through
choice of materials, mastery of technique, virtuosity of design, brilliance
of imagination, and other criteria. Dr.
Zrebiec will discuss these factors, presenting case histories of exceptional
acquisitions, an arm chair tour of select exhibitions, and virtual forays to
see treasures that usually live in storage.
A
curatorial consultant based in Santa Fe, NM, and principal in Vescen
Consulting, Alice Zrebiec received her BA degree in art history from
Douglass College, where she was elected to Phi Beta Kappa, and her MA and
Ph.D. in art history from the Institute of Fine Arts – New York University.
Dr. Zrebiec joined the Denver Art Museum in 1996, and in 2012 she became the
Avenir Foundation Curator of Textile Art, overseeing the expansion of the
department’s dedicated galleries and the development of its exhibitions and
related programs until 2015. In
addition to Creative Crossroads: The
Art of Tapestry, she also curated for the DAM the major exhibitions
Ikat: Splendid Silks of Central Asia from the Guido Goldman Collection
(2001,) Gee’s Bend: The Architecture of the Quilt
(2008.) and many other exhibitions, including twenty thematic
exhibitions primarily focusing on aspects of the permanent collection.
Prior to her work with the Denver
Art Museum, Zrebiec was curator of textiles for 16 years in the department
of European Sculpture and Decorative Arts at the Metropolitan Museum of Art,
in charge of textiles, tapestries, carpets, ecclesiastical vestments, and
fans from the Renaissance to the turn of the 20th century.
She has lectured internationally and
published on diverse aspects of textiles and tapestries.
TMA/SC members are invited to bring one example of a rug or textile
that they find particularly artistic.
Luther Hall, Lower Level
St.
Bede’s Episcopal Church
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